So the short and sweet here: much, much better than The Force Awakens, and easily the best of the bunch since Empire.
Everyone involved in this movie faced a very difficult task: how do make interesting a story that everyone knows the ending to? We all know that the rebels got the Death Star plans and used them to find a weakness in the design that enabled them to blow it up.We know there’s a backstory there, but is it enough to base a whole movie on?
Well, it is if you do it right, and the people involved here certainly did.
The movie tells the story of a young girl, made effectively orphan when her father, who had a hand in the first designs of the Death Star, is captured by the Imperials and sent to finish the job. The girl eventually gets dragged into the fight against the Empire, meets up with several other people, and goes off to try and find her father.
It’s a pretty basic story, but it works well. It’s nice to have proper Imperial villains to sneer at once more, like Darth Vader and Grand Moff Tarkin (even if the CGI on him isn’t quite there just yet), and it’s fun seeing old heroes, like Mon Mothma and Bail Organa. One gets a whole lot of other wonderful cameos, and little Easter eggs referring to the larger universe.
But at its heart, the movie is about our heroes and their efforts to stop the Death Star, and I have to say that the movie did a great job of making me actually care about all of them, even the droid, and what many people are speculating might be a gay couple.I felt genuinely invested in these characters in a way that I haven’t since the original trilogy.
The movie isn’t perfect. The CGI Tarkin probably should have only been used very sparingly, James Earl Jones sounds a bit “off” as Vader, and the music, except where it harkens back to the original score, was very forgettable. But otherwise, if this is a sign of things to come with the Star Wars universe, than I am very happy indeed. The “main” story may have gone off the rails since 1983, but at least the sub-stories can be great.